All the oil paintings of Lavinia Fontana

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ID	Image	Painting(From A to Z)	Details
79752		Assumption of the Virgin	Oil on canvas, 192 x 115 cm Date 1583(1583) cjr
69732		Christ with the Symbols of the Passion	oil on canvas painting by Lavinia Fontana, 1576, El Paso Museum of Art
30535		Family Portrait	mk68 Oil on canva 33 1/2"x41 1/2" Milan,Brera Gallery c.1600 Italy
58420		Gentleman Portrait	mk261 Bologna 1579 oil on canvas 93.5 x 74.5 cm
79751		Holy Family with Saints	Oil on canvas, 127 x 104.1 cm Date 1578(1578) cjr
83694		Holy Family with Saints	Oil on canvas, 127 x 104.1 cm Date 1578(1578) cyf
93453		Judith and Holofernes.	Oil on canvas; 175,9 x 134,1 cm. cjr
89358		Judith with the head of Holofernes.	oil on canvas cjr
72077		Minerva dressing	1613(1613) Oil on canvas
73601		Minerva dressing	Date 1613(1613) Medium Oil on canvas cyf
29885		Noli Me Tangere	mk67 Oil on canvas 31 1/2x25 13/16in Uffizi,Gallery
67386		portratt av familjen gozzadini	1584 se
87022		Ritratto di ragazza	between 1580(1580) and 1583(1583) Medium Oil on metal Dimensions 10 cm (diameter) cyf
58421		Self portrait	mk261 Bologna canvas 15.7 centimeters in diameter
30068		Self-Portrait	mk67 Oil on copper
30523		Self-Portrait	mk68 Oil on wood 10 3/4x9 3/4"
26761		Self-Portrait in the Studiolo	mk52 1579 Oil on copper,diameter 15.7cm Uffizi,Florence
42003		The consagracion to the Virgin one	mk166 1599 I Wave on cloth 280x186cm Museum of Fine Arts Marseulla

Lavinia Fontana
Italian Painter, 1552-1614 Daughter of Prospero Fontana. She was trained by her father and followed his Mannerist style. Her first recorded works, which date from 1575, were small paintings for private devotion, such as the Holy Family (Dresden, Gemeldegal.). By 1577 she had become established as a portrait painter in Bologna. Works of this date include the Self-portrait at the Harpsichord (Rome, Gal. Accad. S Luca) and the portrait of Senator Orsini (Bordeaux, Mus. B.-A.). Her portrait style reflects the formality of central Italian models as well as the naturalistic tendencies of the north Italian tradition. The elegantly costumed Orsini is shown seated at a table, with a suite of rooms opening behind him, a setting recalling such Florentine portraits of the 1530s as Agnolo Bronzino's Bartolommeo Panciatichi (Florence, Uffizi). Lavinia used a similar setting for other portraits, including the Gozzadini Family (1584; Bologna, Pin. N.). Female sitters are also shown in elaborate dress, with particular attention paid to details of embroidery and jewels, and they are often accompanied by small dogs